“STAR-GUIDED” – a Christmas Fable

Long ago, when I lived in New Hope, this story came to me as a dream.  I typed it (no computers yet), hoping someday to publish it, among a series of Transition Tales.  Life overtook me in one way and another, so that dream has not (yet) been realized.  On this Solstice Night, the night of the return of the light, the beginning of the season of miracles, I give you my “Star-Guided”, wrapped in starlight and stardust.  (In those days, my splendid Himalayan cat was “Stardance.”) May this story make your hearts dance.

STAR-GUIDED

We are striding Bethlehem’s dark streets with curious urgency.  We know where we are headed, although none has been to Bethlehem-of-Judea before this electric night.  All is eerily still, the entire town asleep save for our small band of travelers.  The streets here are like mazes.  They are rough underfoot.

I walk gingerly, afraid of turning an ankle in our haste.  My tall daughter, Catherine, strides beside me.  Each of us is impeded by a long light traveling dress and thicker cloak, which stir up street dust as we go.  Upon our feet are leathern slippers too fragile for such journeying.  Her companion, the knight, Galen, is safe enough, encased as he is in bright armor.  Merlin shuffles, as always.  His robes, as are his habit, are askew.  His hair is all-a-tumble.  Every so often, his starred cap tumbles off, and he scurries back through the dark dust to retrieve it.  Merlin, mercifully, carries a pole with a swinging lantern.  Its fat yellowed candle casts pools of honeyed light before our feet.  When he is not chasing his hat, the Merlin cheerfully leads our procession.

The dwellings, what I can see of them, seem sculpted of clay.  They have a pink-grey cast by lamplight.  The moon this night is somehow obscured.  There are a few stars, which deepen our shadows, purple against the sand-hued roads.

We are responding to an unfamiliar star.  Either because it is lower or simply brighter than the rest, it seems to be playing a game with us.  If we start to take a turn that is not right, that star flutters and dims.  When we turn in the correct direction, the star grows steadier, more intense.

n this way, we find ourselves at a nondescript hostelry.  Jarring sounds of revelry spill into its courtyard, startling after all the silence of the town.  Out in back, where Merlin leads us almost stealthily, quiet reigns.  In this dusky quarter, I am increasingly grateful for his lantern.

The Wizard lifts his light on high, revealing a small outbuilding.  In its dim interior, I can just make out the form of a very young woman, seated next to a low wooden container lined with straw.  From the center of that straw emanates a mysterious glow, soft as candlelight but much steadier.

I realize Whom and what we have been seeking.  My knees are trembling.  All of my being is drawn to that hushed glow.

I am startled by the young Mother’s youth.  She is not much in years beyond my tall teen-aged Catherine.  Petite, slender, the woman of Judea looks too frail and much too inexperienced to be anyone’s mother.  Let alone…!

hind her, nearly hidden in shadow, is the man who must be her husband.  He looks more like a kindly uncle.  “Joseph,” I think, “seems a bit confused.  More like Merlin’s usual mode.  Merlin, on the contrary, tonight is clear as bells.”

Joseph seems a good deal older than Mary.  It may be just the differences, — in background, in training.  He is fulfilling his role as guardian.  Yet he is not of her milieu.  Most of what has been happening to him in recent months must have been baffling.  Nonetheless, as we all must do, the man trusts and serves.  I feel deep empathy for all that lies before him.

And I am awash in compassion for Mary.  Perhaps because of Merlin’s presence, I can read this girl’s emotions.  I never before suspected her profound loneliness.  Her cross is not only that she has born this wondrous Child only to lose Him.  Her cross is that she must carry out all to which she has agreed, isolated from all who understand.  All those who had taught, those who could reassure, are far, far from this stableyard.

Although the Flight unto Egypt has always before seemed a terrible ordeal for parents and child, I now see it as blessing.  Once there, she will discover for a few years, those who know the full story of this rare family and its many destinations.  Yet on this night, and throughout so many of her recent years, with the exception of one small mentor in the Temple, Mary has been in exile.

The Child lies sleeping on golden hay, meant to nourish creatures of the Inn’s farmyard.  The very grasses emit rays.

We are all drawn to our knees, as much by Mary’s courage and serene obedience, as by the Presence of the Babe.  The gleam of Merlin’s lantern flitters across the Baby’s eyes, waking Him.  He blinks and an almost-smile plays across the Infant features, as light rays play like rainbows across the tiny face.  He waves tiny hands as though to catch the Wizard’s glimmers.

Joseph rouses himself, suddenly aware that they have visitors.  Drowsily he waves a greeting, then retires to the darkest corner of the stable.  It is as though, with us among them, that tired traveler can rest.  He has endured so much, without understanding, without complaint.  Joseph’s role is merely to love and to protect.  It is enough.  The man’s legs now, literally, give out beneath him.  He settles onto straw bales for his sleep.

My eyes, accustomed now to gloom, become aware of cattle.  Nestled behind a barrier of wood, their breath steams in the night air.  These cows have huge bittersweet eyes, that seem to widen as the Baby moves His tiny hands.  Their skin is the hue of milk chocolate.  There are smaller creatures here with us – sheep, and delicate, silky goats.  I don’t remember goats at that Stable, but here they are – dainty, with long hair and perky faces, hooves like the dancing princesses, like the ones who prance through meadows above Zermatt.  The goat’s eyes are cinder-bright.  Their cloaks gleam in the lanternlight and Infant-glow.  I feel warmed by the gaze, the breath, the presence of the barnyard creatures.  About our feet are hens, too, scratching at straws, searching diligently as close as they can be to the Child.

Outside, somehow, the skies grow brighter.  It becomes increasingly easy to see.

Merlin rises and approaches the child/woman who guards the rough manger.  He fumbles in that voluminous wiry beard.  “I know it was here when I came!,” he growls, in his absent way.  “Sorry, Madame, it won’t be but a moment.”  Then the old man pulls out one of the tiniest living creatures I have ever seen.  A miniscule saw-whet owl, it is not so big as one of Mary’s hands, folded in her slender lap.  The tall Wizard bends, cupping the owl in both gnarled palms.  The creature snuggles daintily onto Mary’s right shoulder, nuzzling into her corn-silk hair.  Mary looks obviously enchanted with Merlin’s gift.  As she claps her hands with delight, we are all aware of her own nearness to childhood.

Galen next moves.  In his silvery armor, helmet in the crook of his left arm, the boy kneels, formal as he would have been in the Initiation ceremonies.  The plume of his hat dances, catching the Baby’s dark eyes.  It is then that light from Merlin’s lantern falls upon the gilt cross on Galen’s silvery breast.  The Babe is riveted to that image, reaching out, then still.  All time stops.

Galen breaks the spell with his mellifluous voice:  “Crystals I bring,” says the lad.  He lays bright offerings into Mary’s slender hands with a caressing gesture.  I am reminded of a game we played as boys and girls – “Button-Button.”  Then, prayer-shaped hands cradled a button secretly into someone’s matching hands.  Everyone then was to guess whose hands held the gift.

“These crystals are for you, Maria,” Galen explains, slipping into her Latin name, as though from long familiarity.  “Hold them,” he instructs.  “Bring the Light with them, to warm, to comfort, the Babe, yourself.  You will be needing them upon your journey.  For the duration of your time in this place, lay them in His cradle as He lies.”

Mary lifts up first one angled crystal, then another, turning them this way and that, in starlight, in lamplight.  She runs attuned fingers over every facet, studies all the power dancing in their depths.  Mary reaches out her right hand, — crystals and all –, touching Galen, light as a kiss, on each cheek.

It is my daughter’s turn.  In her soft dress and flowing cloak, my daughter has a new queenliness I had not before acknowledged.  She towers over the young Mother.  Catherine’s towhead tresses seem to glow, against the darker gold of Mary’s hair.  As Catherine leans over the Baby, taking one of His tiny hands into her own, her long hair brushes His little face.  Something like a smile flitters over Him, as though it tickled, and there is a sound, very like new laughter.

Suddenly, in the icy stillness of that Bethlehem night, Catherine lifts her voice in song.  We are startled, all of us, by the pure notes in the clear cold air.  The songs sound ancient – Medieval, I would guess, or Welsh.  Starlight skitters among us, and I think of music of the spheres.  I realize, my daughter is singing the first Christmas Carols.

The Infant turns, then, from Catherine to the rest of us.  His eyes are not only dark, but also golden.  The only name for that color is “toffee”, for that includes their uncanny softness.  I watch the Child watch us.  He knows who we are.  He has expected us.  Through His awareness, I realize that we fill the role of cosmic “Magi”, Merlin above all, first visitors to honor this rare King, until the other Kings arrive.  They will be accompanied by very earthy camels, guided by their own heavenly voices and specialized stars.

Through those gilded eyes, I see the Baby’s emotions, as I could his Mother’s.  There is something familiar yet unknown in those bronze depths.  The only name I can give for this is shock.  So must we all have looked, first opening to Earth Plane, realizing our choices, recognizing companions…

Peace floods the stable.  We bask in unconditional love.  Then the Child, once again, sights the cross on Galen’s armor.  The newborn hands open.  Where light rays had poured, when he’d reached up to play with Catherine’s bright hair, now there are shadows.  I recognize those shadows – somewhere between bruise and blood.  Stigmata.  I turn at once toward Mary.  Her sweet eyes are riveted upon those hands.

I have not given a gift.  My own hands have been seriously emptied by life, by the times.  I rise, then, move instinctively to Mary.  I embrace her girlish shoulders, as I would any new mother.  “How wonderful you are!,” I murmur.  “How brave!  Such a beautiful Son!”  All the phrases women have said to each other at such moments from the dawn of language, we exchange.  At the end, I add, “I wish you joy.”

She looks up with a plea I fully hear.

“You are weary, Mary.  It is time for your rest.  You cannot keep vigil all night, every night, alone.  He is safe here, safe with us.  Go.  Go over to your Joseph.  Sleep.  We will watch the night with your precious Boy.”

She looks hesitantly from one of us to the other, as if to gain permission.  All of us are nodding in permission, the stately Merlin above all.  He retrieves Strigi, the little saw-whet owl, and actually shoos Mary over toward the corner.  She looks back at her Little One, still not sure.  He stirs, restlessly.

I reach down, lift up the Child, cradling him easily upon one hip.  It all comes back.  The awkwardness I knew with my own firstborn, this surety now.  How grateful I had been , in those long-ago days, for practiced arms, arms that were sure and even relaxed around my daughters.  The Baby senses my ease, curling naturally against my side.  Mary looks relieved and moves, indeed, toward Joseph.  My second-born rises and removes her periwinkle-blue cloak.

“Mary,” Catherine urges, “here.  Please cover yourself with this.  And sleep.  Deeply and well.  Dream of all the joys you will have, He and you together.”  Mary smiles up at my daughter, accepting the soft warmth.  She lifts her right hand in a good-night gesture, revealing the sparks of Galen’s crystals.

I settle the Infant lightly into the crook of my left arm.  He curls a tiny hand naturally, instinctively, around my forefinger.  He is rest itself.  A soft light radiates from the small body, merging with the light of Merlin’s lantern and the spill of stars.  In hushed tones, Catherine and Galen begin to sing lullabyes.

Dawn light comes all too soon.  Outside, in rustling trees that sound like palms, birds I do not know begin to call to one another.  In the inn courtyard, there is the jangle and clatter of first departing travelers.  We overhear inquiring voices, simple country accents.  These will be the shepherds, asking as they have been led to ask.

Skies overhead fill with angels, glorias.  Our vigil is rapidly ending.

Catherine and Galen move swiftly, tenderly to the sleeping Family.  They urge the young parents to rise, help them smooth and brush their clothing.  Merlin provides water in a generous metal dipper.  Mary gracefully removes my daughter’s travel cloak, clasping it about Catherine’s lofty neck.  “Thank you,” Mary whispers.  “I shall never forget your songs, your cloak.  There will come a time when you may require the same of me.  Call upon me.  Remember…”

I settle the Babe into His Mother’s eager arms.  Her look of joy wars with full realization, of all that has been foretold.  Mary presses her cheek against my own, nodding in silent gratitude.  She resumes her post.  Joseph stands sturdily behind her, one hand on the staff which helped to bring them to this haven.  The Baby nuzzles, urgently, begins to nurse.

There is the rustle of straw as shepherds kneel.

h Merlin in the lead, we all fade into, then out of the stable shadows.  I give the silken goats a lingering caress as we depart.

 

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HEMINGWAY DREAM ~ Paris, in the 20s

Paris cafe life in 20s from internet

Paris Cafe Scene in the Twenties

NJWILDBEAUTY Readers know that, for all my deep enthusiasm for natural New Jersey, my heart belongs to France.  Sometimes, most of the time, to Provence.  Other times, Normandy and Brittany, especially Mt. St. Michel.  Before I lived in Provence, however, Paris was my heart’s home.

Tour Eiffel by Night from Internet

La Tour Eiffel par la Nuit, from Internet

The tragedy of Nice, of Slaughter on the Beach, alongside my sacred Boulevard des Anglais, haunts me, day and night.  This insult to, revenge upon, beloved France, –who bore the brunt of battles to save the free world in the 1940s–, repeatedly astounds me.  But even beyond that, –along with the Marathon Massacre in Boston, there has been a travesty against a  major ritual of a country — the Bastille Day that honors its transformation into a place of Liberte, Egalite, Fraternite.  What happened in Nice is the antithesis of everything for which Bastille Day and our Fourth of July have always stood.  This summer’s meaningless massacres stain beach and Bastille Day forever.

bastille-day-parisianist-Iconic Liberte Egalite Fraternite image from Internet

Iconic French Image Symbolizing their Historic Battle for Liberte, Egalite, Fraternite in the time of the Monarchy: Marianne Leading the Rebels

My inner response has been multiple — most recently a series of Hemingway dreams.  I am reading, [to relive the glory days of France and of American influence on Paris, on France and upon literature itself], “Sylvia Beach and the Lost Generation.”  This tour-de-force is a moment-by-moment evocation of Princetonian, Sylvia Beach, and her remarkable Shakespeare & C0mpany lending library.

Shakespeare&Co Bookplate in 1920's from Internet

Boikplate, Shakespeare & Company, Paris in the Twenties

Within its few small rooms, not only poetry and prose, but also music, dance, theatre; little reviews and major publishing coups (think James Joyce, Ulysses) were catalyzed.  The beginnings of Hemingway; the expansion of Fitzgerald; the influence of doctor/poet William Carlos Williams; evenings involving T.S. Eliot, Ezra Pound and Ford Madox Ford and the reclusive/demanding James Joyce.  (Whom Hem dared to call Jim!)  This level of cross-pollination took place under the dynamic, ceaseless leadership of the little dynamo, daughter of a Princeton minister: Sylvia Beach.

sylvia_beach_and_hemingway at Shakespeare & Co from Internet

Sylvia Beach and Ernest Hemingway outside Shakespeare & Co. in the 20s

Really important in these pages is the power of women to forward all the arts in that daring time, described by another memoir as “Everybody Was So Young.” 

Paris Was Yesterday Janet Flanner

Paris Was Yesterday“, Janet Flanner: The New Yorker’s ‘Genet’

Every time I read my favorite Hemingways, he improves, somehow.  Paris, A Moveable Feast preceded Professor Noel Riley Fitch’s tome in my series of pilgrimages to France.  Subtitled, “A History of Literary Paris in the Twenties and Thirties,” I have been re-reading forever, and am only about in 1925.

Sylvia Beach & the Lost Generation Cover

Cover – Sylvia Beach & the Lost Generation by Noel Riley Fitch

Even so, this book is having a deep impact upon my dream life.  Here are notes on Hemingway as I never, of course, actually experienced him.  Stroll (no one walks fast in France) with me into the Paris cafe and celebrate the impact of this amazing city and inoubliable (unforgettable) country on the world as we know it today.  Honor her glory, which no evil can erase, not even Hitler’s!

letters-o-hemingway from INternet

Hemingway Letters Cover from Internet

HEMINGWAY DREAM  Notes:

1920’s.  Hem’s earliest days in Paris.  Knows no one.  Seated at small hard white round table. Could be marble.  Cardboard beer advertising coasters, –much used–, echo its circular shape.  Although new to town, Hem is in rare form.  [usual form in those years].  Cocky yet subtle.  Looking all around.  Taking it all in.

Cafe pretty empty, it’s that early.  The Dome?  Place of smoke-filtered pale winter sunlight.  His hair is dark, unruly.  Suit rumpled.  Elbows on the table.  Glancing around, grinning, though expecting to know people there.  Waiters quietly scrub and wipe other tables, preparatory to lunch  Pretty quiet.

Hemingway’s gaze veiled yet intense.  Although he strives to look as though he knows someone there, I (standing in shadowy corner) realize he is looking around to see who HE is.

Hem’s right shoe rests upside-down upon his left knee,– audacious pose that would not have gone over in Oak Park or River Forest.  He maintains the backwoods air — though not large, a Paul Bunyan in a Paris suit.

In the dream, I boldly sit across from Hemingway, [as I once did at an Outward-Bound-like event, with Roy Scheider of Jaws], because Hem is alone.  He nods without words, orders me a biere.  I sip reluctantly, because it is warm and tastes soapy.  He doesn’t care if I like beer or not.

Hem wants me to know who he is, to ask “How did the writing go this morning?

What I say is, “Tell me about Michigan!  Speak of trout, of birch-studded forests.  Of the Indians who were there when YOU were, but not for me.  Why did you have to rearrange the setting of the Big Two-Hearted River?”

The beer I do not like acts like a tonic, a potion, opening doors.