REALITY – Joyeux Noel

NJWILDBEAUTY readers and all my friends know; and some powerfully share; my longing always to be in France in general, in Provence in particular.

Writing in my journal this morning, Christmas Eve, I discovered, “I wish it were 1987.”

Then, I was a resident of Cannes, although it was far easier to walk into Picasso’s Vallauris than to drive down into Cannes on those cooked-spaghetti roads.

The scene below does not take place in an unheated, unscreened, capacious apartment above the Mediterranean, while magenta rose laurier bloom in my garden.  There aren’t Alps out my kitchen window, frosted with first flakes.  There are no un-snowy pre-Alps processing beyond living room windows, wreathed with all those Corniches, leading from beloved France into redolent, resonant Italy.  There is neither the Esterel Forest nor the Esteril Massif (mountain range), — all coppery and russet and terra cotta and sometimes even magenta and claret and ruby; the turquoise sea frothing at their feet.  No, this is Lawrenceville, New Jersey.  It’s the home of a person who was only an expatriate for one year; but who thinks she was born that way, and will never recover.

The poster in the scene below celebrates an exhibit at Galerie La Licorne, (the Unicorn) in Juan-les-Pins.  My firstborn and I, back in 1981, were enthralled by it, in the lobby of the establishment of potters in that storied town.  Madoura are solely licensed to bring Picasso’s platters, plates and pitchers to life in the years after his death.

The Madoura staff watched that young girl reverently touch, study, absorb Pablo’s work throughout those bountiful rooms. Her hands, in the presence of Picasso’s ouevre, were as full of awe as a priest’s at his first mass, holding the Host.

Entranced from the first, we’d asked the owners if we might buy the poster (l’affiche.)  “No,” they instructed, “you’ll have to go to Juan-les-PIns.”  We explained that we’d been there only yesterday, and that we would fly home the following day.  We regretted together that a return to the Unicorn was not possible.

Ah, but the owners of Madoura Poterie were so impressed by Diane’s attention to the Master’s work, that they presented her with the rolled, beribboned poster, when we finally brought ourselves to leave.

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Santons de Provence, the Large and the Small, in Lawrenceville, New Jersey

No that is not a Cezanne, nearer the viewer, needless to say.  It is a Bernard Ungerleiter (of Lambertville, New Jersey), our Cezanne.  I have two of his works in my dining room – the other of garlic.  I had been with his wife, Peg, as she bought the fat pale heads, as juicy as l’ail de Provence, at a Pennsylvania farm market in the early 1980’s.  Bernard wouldn’t let her cook with it – he had to paint it!

The large santons (terra cotta figures that accompany the manger scene in Provence) were bought by my Swiss husband for our family, in Vence or St. Paul-de-Vence, when the girls were 7 and 8 years old.  The tiny santons, –not garbed as are the older sets, are of plain terra cotta (terre cuite in France — cooked earth).  One is supposed to buy them at the smart art store on Rue d’Antibes in Cannes, then take them home to paint  I love the hues and textures of the roof-tiles of Provence.  When I can bring myself to arrange those santons each current Christmas, I am very glad not to have altered them in any way..

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Close-Up of the Santons, and of Noel Provencal — which I re-read each December, savoring hearty rituals of the land I cherish, from the wheat of the feast of Saint Barbara to les treize (13!) desserts of this night of the birth of Le Nouveau-Ne

Why do I want this Christmas Eve to be 1987’s?  Because, then I’d be taking my French gifts, –bought in the Nice Vieux Ville (Old Towne)– across the way in the dark to the tower where my young neighbors lived:  L’Observatoire… 

We’d had so much fun exploring together, since my late autumn arrival.  Even though everyone back home had said, “You’re going to be so lonely.  They will never invite you into their homes!”  Wrong.

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Santon de Provence, Shepherd’s Cape

Jeanette et Didier and their little ones  wanted me with them for Christmas Eve supper next to their real tree, abundant with home-made ornaments.  They wanted me to share gift-opening with their family.  But the heart of the matter would be Midnight Mass (La Messe de Minuit) in Le Suquet.  This is the oldest part of Cannes, its barely known rocky promontory.  It served as a major watch site for hundreds of years and conflicts, dating back to Phonecians and Saracens. .

Our normal French Christmas Eve supper was nothing less than canard a la orange and frites’ and o, my, such slender, savory golden turnips!  Jeanette had tossed it all together without any fuss, the way my Michigan mother had made meat loaf and baked potatoes.

My gifts of large comic books (Tin-Tin — the French never lose their taste for comic strips) for the children, and candied fruits from the legendary Confiserie Auer near Nice’s Place Massena, were enormous successes.  I was one with this family, wrapped in their fondness, uplifted by their merriment.

These qualities have been in pretty short supply ever since.  Some who know me; and some who read my blogs; realize that I work very hard to survive Christmas every year, deprived as I am of my own family.

Usually, I ‘run away’.  Last year, I fled to Cape May, and often to the Brigantine. I pretend that birding the day away is all that matters.  I never did this with my lost daughters because I didn’t know any interesting birds in those days.

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The Basket-Weaver and the Garlic-Braider observe Le Nouveau-Ne

Midnight Mass in Cannes was spoken and sung in three languages:  Latin, English and Provencal!  I knew two, but not three.  It was a thrill to hear the old songs in all tongues, and be able to sing some, even remembering Latin.

How I marveled to hear the gospel begin, “Dans le temps de Cesar Auguste.”   Indeed.  The very day before, I had spent in Frejus, favorite town of Augustus Caesar.  I’d found his port, his forum, his theatre, and something called La Lanterne d’Auguste — a species of lighthouse.  I’d feasted on rare lamb and Salade Antiboise across from that forum, writing feverish poems about the sense of ancient bullfights suffusing me near the ancient chutes through which animals had exploded innto the sawdust arena.

This is not the first time I’ve said, “Call me a dreamer; well, maybe I am…”   But when the French priest spoke those words of the emperor in whose footsteps I’d trod all the previous day, I suddenly realized the bible was real!  I didn’t know I didn’t know that until the holy night alongside my dear new friends of Cannes.

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Traditional Santons de Provence, in hand-made costumes

The Mass was enlivened with living santons.  Women and men and children of the village had practiced for months for these few moments of procession and recession (which had NO economic tinge in that place!)  They wore the noble costumes of ancient times, in this region that has never fully been assimilated into France itself!  Accurate down to the lace on their petticoats, and the heft of sabots (like Dutch wooden shoes) of other eras, making a venerable sound of hollowness on the church’s marble floor.

Shepherds in flowing cloaks, the hue of camels, demonstrated why their hefty garb had the extra fabric on the shoulders.  They carried real lambs and real kids, on those capelets, to be blessed by the priest and to honor the Infant, Le Nouveau-Ne, the Newborn.

Others bore grapes; demijohns of wine; clear glass globules of golden olive oil.  The oldest women preceded the parents of the newest babe, these honorary grandmothers presenting layettes freshly made for this precious human child.  The young ones knelt and placed their infant in straw in a manger at the foot of the altar.

Then, all who carried the season’s fruits, alive and otherwise, recessed to the enormous terra cotta creche (Nativity Scene) on a far wall.  High in the back, where mountains loomed, the Three Kings and their servants (one of whom, Balthazar, is said to have founded nearby Les Baux) moved in stately array, ponderous and elegant as any wedding in Westminster Abbey.  Epiphany would have to wait until January the 6th, but the royal ones were already en route, following the star.

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Portrait of my Daughters by V. Durbin Thibodeau, Artist-in-Residence of the Sacred Heart School of Grosse Point, Michigan

1987 was the year in which my daughters were taken.  I realized this fully at the time of my fiftieth birthday.  Standing on my luminous balcony, overlooking the midnight-blue-black Mediterranean, I watched stars wink on high.  They seemed to fall right into my shallow champagne glass, joining tears.

But Christmas Eve, 1987, for those few hours with friends in the tiny stony church of Le Suqauet, beloved traditions in my favorite favorite region of my favorite land, washed over me, banishing grief.

It became clear that night, and I must return to this certainty every year.  My loss was as nothing, compared to what had happened “dans le temps de Cesar Auguste,” in a time in the world when Peace ruled.

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La lavandiere, Provencal Santon

Tonight, many will follow La Messe de Minuit in tiny churches all over the South of France.  When they eat their ‘meagre supper’ (meatless), it will be followed by les treize desserts.   At a certain time during the family gathering, the eldest will lead and the youngest grace the rear of the family parade in to the Yule Log.  Vin cuit, cooked wine, will be sprinkled onto this hefty log, chosen just that afternoon for the purposes.  A prayer will be said, hearthside.  I wish it for all of you:

“Next year, if we are not more, may we at least, not be fewer.”

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Santon – Bread-Maker:  [ALL SANTONS CLOSE-UPS ARE FROM INTERNET)

 

 

 

 

 

 

 

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PROVENCAL CHRISTMAS EVE – My Story in Princeton Packet on Midnight Mass in Cannes

Provencal Creche and Evergreens on French Table back in Princeton

Provencal Creche and Evergreens on French Table back in Princeton

In Provence, the real Christmas

Sharing a special holiday ritual in France

DATE POSTED: Tuesday, December 23, 2014 11:17 PM EST  The Princeton Packet

By Carolyn Foote Edelmann

Provence to see the seasons round. “But, Carolyn, you’ll be lonely!” “You with your two years of college French!” “The French will never invite you into their homes.” And so forth.

I paid no attention, as I wasn’t going to the south of France to be invited into homes. All my life I had wanted to be a resident in what has always felt my real country. The country was my goal. And, as it turned out, the nay sayers were wrong.

Take Christmas Eve. The year is 1987. As I walk across the crest of Observatoire Hill, high above Cannes, the night is bright, colder than I expected. The dark sky is nearly blinding, Vincent’s “Starry, Starry Night” seemed all around me, coming to more and more intense life.

I had been invited to my neighbors’ for that special time. They were a young and merry family in all seasons, from my first fall days on the hill, we had taken full and casual delight in one another’s company.

This night, I would not only share their Christmas Eve meal, we also would open presents together, beside their Christmas tree (or “sapin de Noel,”) quietly resplendent with its handmade ornaments. The boy and girl were fully a part of every aspect of those rituals.

The purpose of my presence was not only to share the sacredness of these home rituals. At a certain moment, we bundled ourselves warmly, and the father drove us all to Le Suquet, the old part of the Cannes the world connects mostly with movies. It’s a high and stony hill, from which watchmen peered over many centuries, especially during 800 years of Saracen invasions. Steep and rocky enough to be defended, high enough to light warning fires that could reach sentinels on the Iles de Lerin off-shore, without Le Suquet all those years, there might not be a Cannes.

A no-nonsense stone church crowns the rocky enclave of old Cannes. We walked from the velvet, nearly absolute darkness of these ancient towns into a nave of nearly blinding light. Votive candles flickered along both sides, leading our eyes to a wall-length “creche,” a Nativity scene created with terra cotta “santons” for which this region is famous.

These figures used to be created in the churches, until the Revolution. I don’t know why that ordeal meant no more santons and creches. But the clever French decided to create their own figures to honor Christmas in their homes. The irst post-Revolution santons were made of cookie dough.It had something to do with danger in people’s gathering in public places in those fiery times. This night, this church was one profoundly connected gathering.

There was a real wood stable, about as big as a breadbox. Mary and Joseph knelt by an empty manger. The requisite donkey and cow and other farm animals of baked clay were artfully placed to create a sense of waiting. Awaiting the birth of the child, outside the creche stable were the bread-maker, the garlic-braider, the aioli-maker, the lavender lady, the herdsman, the basket-weaver and so forth. Each more delightful than the last.

Along the creche hills moved a procession: tawny long-legged camels, their handlers, and, of course, the three kings and assorted servants. The proprietors of nearby Les Baux claim to be descended from the Balthazar of this pilgrimage. We know that stars directed the journey of the kings. They may well have been en route as Mary and Joseph found their way to Bethlehem. In the Cannes church, the reverent Kings were visible, lit and steadily nearing on some sort of motorized walkway. But, even though it was Christmas Eve, there wasn’t what my daughters called “the baby Jesus.”

That church was cavernous and deeply cold. My neighbors had warned me to dress as though for one of my daily hikes, with many layers. The pews were filled with people of all types, dressed in everything from full-length sable to the bleu of the laborer. Perfume mingled with incense. An eager though hushed restlessness stirred from front to back as the hour turned. I was reminded of suddenly riveted attention, as a bridal procession is about to begin.

Altar boys proudly swung censers, so that frankincense purled through the air. More clergy than I’d seen since the Vatican moved toward the altar. Music surrounded us, our seatmates singing carols in French, in Latin and Provencal.

The priests arrayed themselves, backs to the altar, facing the aisle. Suddenly, old Provence came to life before my very eyes. Villagers, garbed like the hand-made santons I’d owned since the early 1970s, walked where the clergy had been. The women’s thick quilted skirts belled out just like mine on the shelves at home. Each woman carried — like scepters, like jewels — objects identifying her role in the town. One held a bowl and a whisk; one a cluster of baguettes. One was adorned with a lei of braided fat white succulent garlic.

The women were followed by men. The shepherds wore long tobacco-brown cloaks, with an extra flap along the shoulders. And that night I learned why. The men carried live lambs over their shoulders, resting on those capes. The baker toted a handmade basket, full of his multi-shaped breads. Others held guns, so that the hunt might be blessed. Twosomes bore demijohns of wine, otherspaniers of grapes. Each and every living santon went to the clergy, knelt for the blessing, then took his or her very real offering off to the side, for “the baby Jesus.”

But even that was not the culmination. A cluster of townswomen moved as solemnly as brides, each carrying items of a baby’s layette — handmade, hand-decorated, proudly borne. Behind them walked a young man, carefully cradling the elbow of his even younger wife. In her arms was a baby. A real baby. “Le nouveau-ne” — the newborn — the most recent child of the town.

They, too, knelt at the front, between all the harvest offerings, flanked by the delicate layette. Mass was said and sung in the three languages. When the gospel came to “dans le temps de Cesar Auguste,” chills suffused me.

The mass concluded with exquisite timing. The incense boys turned and recessed toward the back of the church, followed by all those priests. Only the young parents and their amazingly silent infant walked carefully behind them. They all went over to the wall-sized creche. The priest who had said mass blessed the real infant in its mother’s arms. Then Father took something from the head altar boy — the Infant Jesus, “le nouveau-ne,” this one made of clay — as are all humans, come to think of it. Tower bells pealed, exactly as the terra cotta child was settled into its manger, lined with real straw provided by real shepherds.

Interestingly, the carol we sang then was “Un Flambeau, Jeanette, Isabella,” — “Bring a Torch, Jeanette, Isabella.” We were each metaphorically carrying the torch of wonder to that cradle. My dear neighbor turned to me with a very special grin, her name being Jeanette.

Provencal Madonna and Roman Mosaic of Madonna, Provencal Doorways, on table back in Princeton

Provencal Madonna and Roman Mosaic of Madonna, Provencal Doorways, on table back in Princeton