MISSING SUNLIGHT

When it’s this gloomy all day, –when there is no sense that there has ever been a sun, –ever will be a sun, I miss places where the sun was guaranteed:  Provence      Hawaii

Turns out that memories of the American West for me are also light-filled.  My own images from early trips there did not involve electronic cameras.  However, at the Princeton University Art Museum just now, there is a splendid array of The Moderns from the Phillips (Gallery, of Washington, D.C.)  My favorite museum in the capital, Mr. and Mrs. Phillips’ own home, — this haven proves a gateway to the paintings of Bonnard.  No one, –not even Matisse–, equaled this artist, who had lived one hill over from me in my life in Cannes.  Especially, no one seemingly has even attempted light in mimosa, such as he so magnificently evoked in canvas after canvas.

To my delight, amongst European moderns, such as Picasso and Braque, there is a high proportion of American art.  Even a Georgia O’Keeffe I do not know — with a torn red leaf asserting its power despite having been altered…  One of my all-time favorite of our artists is ‘our Turner’, Thomas Moran.  His views in Yellowstone National Park involve all the senses, so that we can nearly hear his waterfalls.

The-Grand-Canyon-Of-The-Yellowstone-2

The West was never easy for me — whether sightseeing or skiing.  Coming from the storied East, where most mountains and rivers involved our War of Independence, and even the tragedy mis-named Civil War – I often felt as dwarfed as the figures in this scene of the Grand Canyon of the Yellowstone.

Moran dared another favorite site, Venice.  I remember light there, also, dazzling, more than doubled by all those wrinkling canals.  Especially the Easter morning when I stood alone in St. Mark’s Square, in absolute silence, even to the pigeons.  I hadn’t realized that all the bells of Venice had been silenced on Good Friday, when we’d arrived.  At the moment of dawn, all the bells began their clamor.  The birds rose as one, swirled like sandpipers, in grey clouds, imitating the DNA spiral.  Church bells and wings and the light of a Venice dawn…

AMP280592075  01

Master of Venice, indeed.  But Moran was most at home in the American West.

And I learned, anew, that one place where one can count on light is inside any art museum, no matter what is going on outdoors in any season.
1936.12.4_1a

Thomas Moran Country

This man can find light even in the most formidable mountain passes.

16am274

 

0126.2339_MORAN_SHOSHONE FALLS_SHARPENED 2_o6

 

200px-Brooklyn_Museum_-_Sunset_at_Sea_-_Thomas_Moran_-_overall

Moran’s Dawn at Sea — favorite experience, whether crossing on the France, the Mary, or the QEII.

 

Advertisements

POEMS OF THIS NEW YEAR

One never knows, withe the Poetry Muse — when she’s going to be with you; when she’s in elusive mode.  And sometimes, when she’s taken herself far, far away — and you begin to be certain she will never return.

Despite all worldly, chaos, the Poetry Muse has been intensively present lately.

I’ll share a few new ones with NJWILDBEAUTY readers — for whatever is wild in these words, and whatever beauty they may convey, they definitely unfurled in New Jersey.  No one has heard them, nor seen them, but you.  May they generate voyages…

 

In this tumultuous time of America’s turning its official back on people of other nations, I find this one written on last year’s Summer’s Solstice, startling, even prescient…

 

“WHOSE SIDE ARE YOU ON, ANYWAY?!”

 

in the fluttery darkness

of childhood Westerns

my sister and I were always

set apart

hugging to ourselves

our terrible secret –

 

as Indians spilled over

the crest of any hill

each of us silently

rejoiced

 

longing

to ride off into sunsets

with our true brothers

 

***

 

Mary Oliver is my forever catalyst.  Once, in Princeton Hospital for hip replacement (so I could get back OUT on those TRAILS!) I took only Mary’s collected poems for post-op, then rehab reading.  Many of my own were triggered by her electrifying consciousness and attentiveness, to say nothing of always stunning excellence.  Recently, I suffused myself anew with Mary.  Her very personal interaction with bears brought this into being:

 

INSIDE                                 after reading Mary Oliver on Bears…

 

you live within my being at all times

your paws curling my own hands

strong feet propelling my too-slender ones

 

our legs

go on forever

 

your heart

the larger

 

you know

absolutely everywhere

where you are going

 

such large eyes do not fit

within my small ones

 

there is scarcely room

for your fine head

–emperor’s on coin

 

ah, but our wondrous grin

that remains

identical

 

***

 

I never know where the Muse wants us to be.  Two recent poems demanded mental transport to Hawaii:

 

HANA YEARNING

 

I see us along Hana’s highway

–you at the wheel I last wielded alone

curving from waterfall to waterfall

 

their long thin threads

like spider floss

or glycerine spun out

by some Hawaiian deity

we can feel, not see

 

plunging in virginal straightness

into alluring dark pools

mist captured in tropical branchings

of ginger, plumeria, ti

 

one-handed at the wheel

you’re laughing at this ceaselessness of curves

and so many misleading one-way signs

 

we dip into inky ponds

up to and over our necks

laughingly dwarfed

by towering verdant damp ferns

 

you reach both hands

to guide me out of each fall’s sacred water

leaving double footprints

on black sand

 

***

 

…or, what time-frame the Muse may require.  This goes back to early childhood, visiting my favorite uncle (actually, my favorite person — rarely equaled), Donald E. Graham, my Uncle Dutch.  He had been an ambulance driver in World War I, because he would not kill.  One time, the sergeant ordered him to steal a horse.  My very honest uncle was devastated, as he obeyed.  Picture that weathered flag from something like 1918…

 

PATRIOTS

was anyone tender
with me, save Uncle Dutch?

swinging me high
onto so-broad shoulders

marching the two-but-one of us
down steep wooden stairs
into their plain concrete cellar

where his thick broad flag
from World War One
did not have the right
number of stars

still, we honored it
singing “My country, ‘tis”
at the top of his grown up, and my
very little lungs

just before turning
to re-mount the stairs
I, with my small hand
and he, with his huge
would very smartly salute

***

Words, not pictures today.  A different kind of journeying toward various forms of wild beauty…